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2020 Tucson Festival of Books – March 14-15
The Tucson Festival of Books is a community-wide celebration of literature. Offered free-of-charge, the festival exists to improve literacy rates among children and adults. Proceeds that remain after festival expenses have been paid are contributed to local literacy programs.
Started in 2009, this gathering of authors and publishers, marketers and sponsors, receives up to 135,000 visitors and features around 500 authors and presenters. Each year event typically includes special programming for children and teens, panels by best-selling and emerging authors, a literary circus, culturally diverse programs, a poetry venue, exhibitor booths and two food courts. Featured authors give talks in various buildings, while in the university mall there are booths for indie authors to meet fans and sell books in 2-hour time periods over the weekend. This year’s festival is March 14-15. You can see the schedule at: http://tucsonfestivalofbooks.org/
Friends have mentioned this book festival, but this is the first year that I’ll be participating. Just needing some warmth and sunshine after one of the most wet, cold, and grey winters in recent Oregonian memory. My books will be featured at the Indie Author Pavilion – Adult Fiction on Sunday, March 15, 2020 from 10 am-12 noon. If you’re in the area, stop by! I’ll be offering discounted book packages on the Mayan Queen series.
Ebook and print books available from Amazon, Barnes & Noble, and your local bookstore by order.
My last trip to Palenque was in 2012. Went to celebrate the 12-21-12 Winter Solstice when the Mayan Calendar ended a great cycle (Mayan Sun or Era) moving from the Fourth to the Fifth Sun. At least, that’s what many said . . . note that the world didn’t end as some predicted. The Mayas of course never said that–to them it was simply one great cycle ending and another beginning.
Virtual Author Book Tour – Your Time, My Space
Join me in cyberspace for a book tour!
February 5 – 28, 2019. Come whenever you have time, you don’t need to dress up.
Visit each blog stop, even those already scheduled, read interviews, guest blogs, reviews, and excerpts.
Comment to enter book giveaway.
Doing book tours the easy way.
With the launch of the fourth and final book of my series about ancient Mayan Queens, I decided to take the easier route. For each of the previous three books, I scheduled brick-and-mortar bookstore tours. Doing these took a huge amount of time, energy, coordination, and publicity. Physical tours are also quite expensive, with travel costs and presentation materials. For the most part, my bookstore tours were decidedly not cost-effective. Of course, I really enjoyed my interactions with bookstore event coordinators and staff, and the usually small number of interested readers who attended. Traveling to Seattle allowed me to visit family and friends, and my Oregon stops were equally congenial. This time around, however, I just wanted less hassle. Virtual book tours were the answer! Now I can stay at home, doing my book event via my computer, and even while enjoying a glass of wine.
Organizing a virtual book tour is no small task. I did seek out a few book bloggers for the earlier books, but didn’t have the bandwidth to create a real tour. So, I decided to use Virtual Book Tour (VBT) organizers for my new book. Having a professional VBT organizer certainly makes everything flow better. It’s a real pleasure to work with Teddy Rose of Premier Virtual Author Book Tours.
What you can expect when you join in my VBT.
Ten different book bloggers are hosting during this tour. They were selected because they have interests in my book’s genres, which span historical fiction, historical romance, fantasy, and paranormal novels. When bloggers and books are matched, the results are optimal. The bloggers are scheduled during a set time period, and can elect to send the author interview questions, request a guest blog post on a subject they choose, post an excerpt from the book, or write a book review. Some bloggers do more than one of these. The author receives everything in advance and sends responses to the tour organizer by a set date. Then the tour host forwards it to the blogger, who posts it on the set date.
Tour organizers advise authors to offer a book giveaway or gift certificate to readers who visit the blogs and write a comment. It’s an enticement for participation and increases visibility on the web. In my present VBT, I’m using a book giveaway, either ebook or paperback. You can enter at each blog stop for a chance to win.
Virtual book tours are a great tool for authors to get their books read, reviewed, and noticed. They help create buzz around a book release.
Schedule of VBT for The Prophetic Mayan Queen: K’inuuw Mat of Palenque.
Visit each blog stop, enjoy reviews, interviews, guest posts, and excerpts. You can make comments at any time, even after the scheduled dates, and enter for a chance to win the book giveaway.
Feb. 4 Teddy Rose Book Reviews Plus https://theteddyrosebookreviewsplusmore.com/2019/02/04/prophetic-mayan-queen-kinuuw-mat-of-palenque-by-leonide-martin-interview-review-giveaway/#.XFzYHqB7mUl
Feb. 5 Bookgirl86’s Reviews https://www.goodreads.com/review/show/2696578333?book_show_action=true&from_review_page=1
Blog Tour – The Prophetic Mayan Queen
Join the Blog Tour for The Prophetic Mayan Queen: K’inuuw Mat of Palenque
Mists of Palenque Series Book 4.
Blog Tour Dates January 7 – 11, 2019.
K’inuuw Mat Name Glyph
Journey back 1300 years to the splendor and intrigue of Mayan civilization, the most advanced in the Western World. K’inuuw Mat, a royal girl who wants to dedicate her life to serving Mother Goddess Ix Chel, instead finds her destiny is marriage into the Palenque royal family, overlords of her region. With her skills in scrying and prophecy, she seeks a vision of her future husband. But, upon arriving at his city, she realizes the face she saw is his older brother, Kan Bahlam. They are immediately attracted, though she resists and follows through with marriage to the younger brother. As family conflicts, regional politics, and high court dramas play out, K’inuuw Mat shares astronomical interests with Kan Bahlam while keeping her distance. He schemes to fulfill his passion for her, assisted by fateful events that bring them together in most unexpected ways. The Goddess gives K’inuuw Mat a mandate to preserve Mayan culture for future generations, as their civilization begins the decline her prophecy foresees. She rises to meet the challenge, aided by mystical connections with ancestor women rulers who give guidance through visions. Her children help carry out the mandate through surprising links with Kan Bahlam.
K’inuuw Mat was a real Mayan women who lived during the late 7th and early 8th Centuries CE. Her portrait appears on a panel in Palenque (Tablet of the Slaves),
K’inuuw Mat on right, her husband Tiwol Chan Mat on left, offering rulership symbols to their son.
Tablet of the Slaves
seated on the right, where she offers a symbol of royal status to her son. Her husband, Tiwol Chan Mat, is seated on the left. Not much is recorded about her life, but there is a lot of information about the men surrounding her–the ruling family of Palenque and their magnificent architectural and artistic creations. Many characters are from this family, their courtiers and warriors. Fictional characters help fill out the complex relationships and intrigues.
To the Mayas, spirituality merged with everyday life. They moved between dimensions to meet with star ancestors, sky Gods, Underworld demons, shamans, tricksters, and deities who influenced every aspect of life. Rulers and priests were trained as shamans, did vision quests, and used hallucinogens to alter consciousness. They interacted with deities, cast spells, and had visionary powers. During trance rituals where they offered their own blood, the most precious substance to the Gods, they saw incense smoke turn into the Vision Serpent. From its huge jaws they saw an ancestor or God’s head emerge, giving predictions or answering questions.
I hope you’ll want to read this book, and plunge into the Maya’s exotic, advanced, and astonishing culture full of passion, pageantry, and mysticism.
BUY BOOK
Pre-order now! Ebook available Jan. 13, print book Jan. 22, 2019
The Prophetic Mayan Queen: K’inuuw Mat of Palenque. Mists of Palenque Series, Book 4.
Each book in the series stands alone and tells the story of a real ancient Mayan Queen.
BLOG TOUR SCHEDULE January 7 – 11, 2019
Learn some little-known trivia about the Mayas, and find out some things you never knew about me. On the blog tour I’m answering a variety of interview questions, and writing some guest blog posts. The interviews were lots of fun, asking such questions as “What made you want to be an author,” “What is your favorite part of this book.” ‘Which character would you go drinking with,” “What should readers expect from this book,” “Tell about the cover and the inspiration for it,” “What part of the book’s world would you want to visit for a day,” “If a dwarf challenged you to a duel what would you do,” and details about my writing habits and quirks. My answer to the last question might surprise you, and it gives insight into the Maya world.
Visit each blog on the date listed below. Be sure to enter Rafflecopter for a chance to win an Amazon or Barnes&Noble gift certificate!
Tour by Goddess Fish Promotions.
January 7: Mythical Books – review only
January 7: Lisa Haselton’s Reviews and Interviews
January 7: Candrel’s Crafts, Cooks, and Characters
January 8: Bookaholic
January 8: T’s stuff
January 9: Fabulous and Brunette
January 9: Edgar’s Books
January 10: Paranormal and Romantic Suspense Reviews
January 10: Kit ‘N Kabookle
January 11: All the Ups and Downs
January 11: Let me tell you a story – review
The Devil is in the Detail
Mayan Shaman or Brujo
“The Devil is in the Detail” implies that although something might look simple at first, there is a catch hidden in the details.
Often an idea seems wonderful, but turns out impossible to implement. We may be able to agree on generalities, but come to blows on specifics. A project may appear straightforward and easy, but takes more time and effort to carry out than we expected. “The Devil”—our difficulties and challenges—hides in the details.
This is the contemporary understanding of the idiom. But, it was not always interpreted this way. Use of the phrase goes back at least to the early 1800s when French writer Gustave Flaubert (1821-1880) said “Le bon Dieu est dans le détail.” By saying “The good God is in the detail” Flaubert was emphasizing that details were sacred and significant.
Gustave Flaubert (1821-1880) French Novelist, Wikipedia
Whatever one was doing, it should be done thoroughly and with full attention. Details are important.
The actual source of the idiom is unknown. It’s generally accepted that German-born architect Ludwig Mies van der Rohe (1886-1969) used it, but almost certainly did not invent the phrase. It was a favorite of German art historian Aby Warburg (1866-1929) although his biographer could not be certain it originated with him. Some have attributed it to Michelangelo (1475-1564). Bartlett’s Familiar Quotations lists it as an anonymous saying.
Whether “The Devil” or “The Good God” is in the detail, we are led to conclude that details are very important, even possibly sacred. Writers of historical fiction know this all too well. Get the details or facts wrong, and you’ll never stop hearing about it from readers and critics. Put in too many details, in hopes of giving readers a rich and full experience of a culture and time period, and you’re criticized for unnecessary information that slows down the plot. Put in too few details, and readers complain they cannot get a good sense of the setting, culture, character, time period, geography, and so forth. The historical fiction author has then failed in the all-important task of “world-building.”
Books about well-known societies and cultures have fewer challenges in world-building. Most readers already know the Regency or Victorian era, the Tudor or Plantagenet dynasty, Renaissance Italy, medieval times, and popular ancient cultures such as Rome, Greece, or Egypt. Historical fiction authors writing about less known cultures have more need for thorough world-building. In particular, I have in mind ancient Mesoamerican civilizations. Even indigenous groups in North America lived in worlds generally less understood by most readers. In these cases, putting in sufficient details is important.
My HF novels are set in ancient Mayan civilization. There is a dearth of literature focused on this culture; even the Aztecs and Incas get more press. Because of this, my books include details of everyday life, technology, arts, and cosmology to provide a fuller picture of this advanced culture. I weave this information into the story with several writers’ caveats in mind: whenever possible “show rather than tell,” make expositional dialogue seem natural, make the details serve the plot or character development. Most importantly, keep it interesting.
Ah, there’s the rub. How much is enough and not too much? Reviewers have called my books “well-detailed,” “no light read,” full of detailed descriptions,” “complex world-building.” They also say the books “provide a realistic feel,” give “depth and meaning to overall events,” and make “the Mayan world and its underlying influences come alive.” But one review from a pricey and well-respected source felt there were just too many details. While the information was captivating, there was far too much for an enjoyable novel. Besides, they complained that readers really didn’t need to know about the “trapezoidal linear truss using high strength timber crossbeams” that made Lakam Ha’s architecture innovative.
Who would want to know? Anyone interested in ancient Mayan civilization.
One often pondered question is how the Mayas built their soaring pyramids of huge stones in a jungle environment without metal tools. Ancient Lakam Ha (Palenque) is widely known as the most graceful and architecturally unique Mayan city. A good deal of literature examines how they built and what innovative technologies allowed Lakam Ha to create its harmonious structures. Mayas traditionally used a corbel arch technique to form ceilings of chambers and passageways. Not a true arch, this technique lacked support strength. At Lakam Ha, ceilings were higher and rooms wider than at other Mayan cities. The trapezoidal linear truss was the technology that made this possible.
Maya Trapezoidal Linear Truss
In any case, this is mentioned only once in a short passage of three paragraphs. The description is set in dialogue between ruler Pakal and his chief architect. To my thinking, it is such tidbits of detail that give readers a good sense of this remarkable culture’s immense creativity.
But perhaps I get carried away . . . in my most recent book about Mayan queens, publishing in October 2018, one major character is a brilliant astronomer and numerologist. Kan Bahlam II, who becomes ruler of Lakam Ha when Pakal dies, invented the 819-day calendar and a secret code language based on astronumerology called “Zuyua.” He conceived and had built The Cross Group, a three pyramid complex considered the ultimate statement of Palenque creation mythology. Panels in these pyramids are carved with hieroglyphs and figures that embed the secret codes and calendar, and weave them with Kan Bahlam’s personal history. It is pure creative genius.
Kan Bahlam II – Temple XVII Tablet
Therefore, I wanted to share this knowledge with readers. After sending the manuscript to my beta readers, however, their feedback made me realize that although captivating, this really was too much information. Several pages of explanations and examples of astronumerology were cut from the book. After all, it had taken me several years of study to understand it and I couldn’t expect readers to grasp it on first exposure.
Because the Devil is in the Detail.
Dia de los Muertos Skull
BUY: The Mayan Queens Series
The Prophetic Mayan Queen: K’inuuw Mat of Palenque
2019 (paperback and ebook) on Amazon or ask your local bookstore.
Silver Medal for The Red Queen
Silver Medal Winner of the 2016 Global Ebook Awards
The Mayan Red Queen: Tz’aakb’u Ahau of Palenque receives award in Fiction-Historical Literature-Ancient Worlds.
It was an exciting moment when I received the notice in August that my book won a Silver Medal in the Dan Poynter Global Ebook Awards for 2016!
Book awards mean a lot to authors. They validate our efforts and help bring our books to the 
attention of readers and booksellers. The Mayan Red Queen has been given favorable reviews in The Midwest Book Review (2016) and by Writer’s Digest (2016), but this is her first award. So, I am very happy and invite you to share the moment by recalling the story if you’ve read it, or reading the book if not.
“The Mayan world and its underlying influences come alive, making for a thriller highly recommended for readers who also enjoy stories of archaeological wonders.” The Midwest Book Review, Diane Donovan, Editor and Senior Reviewer.
“The quality of this novel is top notch . . . beautifully written. The plot was interesting and very unique. The author’s best skill is in crafting believable yet mythical characters that carry the story almost effortlessly. . . fans of complex world building will be absorbed by this one–with pleasure!” Writer’s Digest 3rd Annual Self-Published e-Book Awards
Who Was the Mayan Red Queen? Part 2 – The Evidence of Her Life
The Mayan Red Queen
continued to be an enigma to archaeologists for nearly two decades after her tomb was discovered in Temple XIII at Palenque in 1994. Her skeleton and inside of her sarcophagus were coated with red cinnabar, a mercuric oxide preservative used in royal burials. This led archaeologists to nickname her “The Red Queen.” It also made analysis of her bones and teeth difficult, and many years passed until scientific techniques advanced enough to provide reliable data. The lack of inscriptions and the sparse ceramic evidence found inside her tomb further muddied the waters. Most Mayan royal tombs contained carved or painted hieroglyphs identifying who was interred. The adjacent pyramid tomb of K’inich Janaab Pakal in Palenque was full of hieroglyphic records; his ancestors were carved on the sides of his sarcophagus, important gods and mythohistoric figures were painted on the crypt walls, and the sarcophagus lid clearly identified him. Numerous ceramic offerings allowed dating of the interment to the late 600s AD.
The situation of the Mayan Red Queen was quite different. Her sarcophagus contained no inscriptions, the crypt walls were bare, and ceramics few. The shape and characteristics of the censer, vases and plate found in her tomb corresponded to the Otolum ceramic complex, which has been placed between 600-700 AD. Her life overlapped with that of Pakal, and her pyramid tomb adjoined his, so it seemed evident that there was an important connection between them. Additional corollaries in their burials include a monolithic lidded sarcophagus inside a mortuary crypt, jade masks, diadems, jade beads, pearls and three small axes in a ceremonial belt. Both skeletons and insides of their sarcophagi were painted red with cinnabar. Two significant women in Pakal’s life died in that time period: his mother Sak K’uk and his wife, Tz’aakb’u Ahau. Some archaeologists believed the Red Queen was his mother; others favored his wife. In 2012 the mystery was most probably solved when DNA studies revealed that The Red Queen and Pakal did not share common DNA. This was further supported by strontium isotopes studies conducted a few years earlier showing that the two grew up in different areas within the region. Now most agree that Pakal’s wife, Tz’aakb’u Ahau, was interred in Temple XIII and she is The Mayan Red Queen.
What do we know of her life?
West Tablet from Temple of the Inscriptions
Linda Schele – Mesoweb
Unfortunately, very little evidence has been found so far. Palenque is famous for its high quality, graceful hieroglyphs and realistic carved figures. The Three Tablets of the Temple of the Inscriptions (Pakal’s burial pyramid) contain 617 glyphs, one of the longest Maya inscriptions known. The West Tablet, covering the later years of Pakal’s reign, contains two references to her:
“Seventeen days after the 3 Ahau 3 Uayeb (Period Ending), Lady Tz’aakb’u Ahau was married on 7 Caban 15 Pop.”
“Forty-seven years after she became queen, Lady Tz’aakb’u Ahau passed away on 5 Etznab 6 Kankin.”
These follow lengthy descriptions of actions taken by Pakal, and the dates are tied into the Long Count calendar by use of a Distance Number to the nearest Period Ending, which was 9.9.13.0.0 (3 Ahau 3 Uayab) or 626 AD. These later passages of the West Tablet were commissioned by their oldest son, K’inich Kan Bahlam II, after his father’s death. He recorded the marriage and deaths of his mother and father.
Tz’aakb’u Ahau is depicted in carvings on two tablets from Palenque. The Palace Tablet has carved relief figures showing her third son, K’inich Kan Joy Chitam II, seated on a double-headed serpent bar, receiving the headdress of royalty from his father Pakal, as his mother (Tz’aakb’u Ahau) offers him the god-figurine symbol of divine ancestry. This large tablet filled with rows of hieroglyphs originally adorned the rear wall of the Palace’s northern gallery, Houses A-D. The Dumbarton Oaks tablet shows a young K’inich Kan Joy Chitam II dancing in the guise of the rain god, flanked by his mother and father. This is the only surviving part of a larger composition that probably was surrounded by glyphs. The stone tablet was illicitly removed from an unknown temple in the mid-20th century; it now resides in Washington, DC.
The Palace Tablet
Pakal – Kan Joy Chitam – Tz’aakb’u Ahau
Dumbarton Oaks Tablet
Tz’aakb’u Ahau – Kan Joy Chitam – Pakal
Such fragments of evidence give a little knowledge of The Mayan Red Queen’s life: she came from a nearby city, married Pakal in 626 AD, bore him four sons, participated in accessions rituals symbolically after her death, and died in 672 AD, eleven years before Pakal’s death in 683 AD. She was buried regally in a smaller temple adjacent to Pakal’s.
Would you like to know more about what her life might have been? Her imagined story is told in my historical fiction book The Mayan Red Queen: Tz’aakb’u Ahau of Palenque.
Silver Medal Winner 2016 Global Ebook Award!
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