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Virtual Author Book Tour – Your Time, My Space
Join me in cyberspace for a book tour!
February 5 – 28, 2019. Come whenever you have time, you don’t need to dress up.
Visit each blog stop, even those already scheduled, read interviews, guest blogs, reviews, and excerpts.
Comment to enter book giveaway.
Doing book tours the easy way.
With the launch of the fourth and final book of my series about ancient Mayan Queens, I decided to take the easier route. For each of the previous three books, I scheduled brick-and-mortar bookstore tours. Doing these took a huge amount of time, energy, coordination, and publicity. Physical tours are also quite expensive, with travel costs and presentation materials. For the most part, my bookstore tours were decidedly not cost-effective. Of course, I really enjoyed my interactions with bookstore event coordinators and staff, and the usually small number of interested readers who attended. Traveling to Seattle allowed me to visit family and friends, and my Oregon stops were equally congenial. This time around, however, I just wanted less hassle. Virtual book tours were the answer! Now I can stay at home, doing my book event via my computer, and even while enjoying a glass of wine.
Organizing a virtual book tour is no small task. I did seek out a few book bloggers for the earlier books, but didn’t have the bandwidth to create a real tour. So, I decided to use Virtual Book Tour (VBT) organizers for my new book. Having a professional VBT organizer certainly makes everything flow better. It’s a real pleasure to work with Teddy Rose of Premier Virtual Author Book Tours.
What you can expect when you join in my VBT.
Ten different book bloggers are hosting during this tour. They were selected because they have interests in my book’s genres, which span historical fiction, historical romance, fantasy, and paranormal novels. When bloggers and books are matched, the results are optimal. The bloggers are scheduled during a set time period, and can elect to send the author interview questions, request a guest blog post on a subject they choose, post an excerpt from the book, or write a book review. Some bloggers do more than one of these. The author receives everything in advance and sends responses to the tour organizer by a set date. Then the tour host forwards it to the blogger, who posts it on the set date.
Tour organizers advise authors to offer a book giveaway or gift certificate to readers who visit the blogs and write a comment. It’s an enticement for participation and increases visibility on the web. In my present VBT, I’m using a book giveaway, either ebook or paperback. You can enter at each blog stop for a chance to win.
Virtual book tours are a great tool for authors to get their books read, reviewed, and noticed. They help create buzz around a book release.
Schedule of VBT for The Prophetic Mayan Queen: K’inuuw Mat of Palenque.
Visit each blog stop, enjoy reviews, interviews, guest posts, and excerpts. You can make comments at any time, even after the scheduled dates, and enter for a chance to win the book giveaway.
Feb. 4 Teddy Rose Book Reviews Plus https://theteddyrosebookreviewsplusmore.com/2019/02/04/prophetic-mayan-queen-kinuuw-mat-of-palenque-by-leonide-martin-interview-review-giveaway/#.XFzYHqB7mUl
Feb. 5 Bookgirl86’s Reviews https://www.goodreads.com/review/show/2696578333?book_show_action=true&from_review_page=1
Silver Medal for The Red Queen
Silver Medal Winner of the 2016 Global Ebook Awards
The Mayan Red Queen: Tz’aakb’u Ahau of Palenque receives award in Fiction-Historical Literature-Ancient Worlds.
It was an exciting moment when I received the notice in August that my book won a Silver Medal in the Dan Poynter Global Ebook Awards for 2016!
Book awards mean a lot to authors. They validate our efforts and help bring our books to the attention of readers and booksellers. The Mayan Red Queen has been given favorable reviews in The Midwest Book Review (2016) and by Writer’s Digest (2016), but this is her first award. So, I am very happy and invite you to share the moment by recalling the story if you’ve read it, or reading the book if not.
“The Mayan world and its underlying influences come alive, making for a thriller highly recommended for readers who also enjoy stories of archaeological wonders.” The Midwest Book Review, Diane Donovan, Editor and Senior Reviewer.
“The quality of this novel is top notch . . . beautifully written. The plot was interesting and very unique. The author’s best skill is in crafting believable yet mythical characters that carry the story almost effortlessly. . . fans of complex world building will be absorbed by this one–with pleasure!” Writer’s Digest 3rd Annual Self-Published e-Book Awards
Who Was the Mayan Red Queen? Part 2 – The Evidence of Her Life
The Mayan Red Queen
continued to be an enigma to archaeologists for nearly two decades after her tomb was discovered in Temple XIII at Palenque in 1994. Her skeleton and inside of her sarcophagus were coated with red cinnabar, a mercuric oxide preservative used in royal burials. This led archaeologists to nickname her “The Red Queen.” It also made analysis of her bones and teeth difficult, and many years passed until scientific techniques advanced enough to provide reliable data. The lack of inscriptions and the sparse ceramic evidence found inside her tomb further muddied the waters. Most Mayan royal tombs contained carved or painted hieroglyphs identifying who was interred. The adjacent pyramid tomb of K’inich Janaab Pakal in Palenque was full of hieroglyphic records; his ancestors were carved on the sides of his sarcophagus, important gods and mythohistoric figures were painted on the crypt walls, and the sarcophagus lid clearly identified him. Numerous ceramic offerings allowed dating of the interment to the late 600s AD.
The situation of the Mayan Red Queen was quite different. Her sarcophagus contained no inscriptions, the crypt walls were bare, and ceramics few. The shape and characteristics of the censer, vases and plate found in her tomb corresponded to the Otolum ceramic complex, which has been placed between 600-700 AD. Her life overlapped with that of Pakal, and her pyramid tomb adjoined his, so it seemed evident that there was an important connection between them. Additional corollaries in their burials include a monolithic lidded sarcophagus inside a mortuary crypt, jade masks, diadems, jade beads, pearls and three small axes in a ceremonial belt. Both skeletons and insides of their sarcophagi were painted red with cinnabar. Two significant women in Pakal’s life died in that time period: his mother Sak K’uk and his wife, Tz’aakb’u Ahau. Some archaeologists believed the Red Queen was his mother; others favored his wife. In 2012 the mystery was most probably solved when DNA studies revealed that The Red Queen and Pakal did not share common DNA. This was further supported by strontium isotopes studies conducted a few years earlier showing that the two grew up in different areas within the region. Now most agree that Pakal’s wife, Tz’aakb’u Ahau, was interred in Temple XIII and she is The Mayan Red Queen.
What do we know of her life?
Unfortunately, very little evidence has been found so far. Palenque is famous for its high quality, graceful hieroglyphs and realistic carved figures. The Three Tablets of the Temple of the Inscriptions (Pakal’s burial pyramid) contain 617 glyphs, one of the longest Maya inscriptions known. The West Tablet, covering the later years of Pakal’s reign, contains two references to her:
“Seventeen days after the 3 Ahau 3 Uayeb (Period Ending), Lady Tz’aakb’u Ahau was married on 7 Caban 15 Pop.”
“Forty-seven years after she became queen, Lady Tz’aakb’u Ahau passed away on 5 Etznab 6 Kankin.”
These follow lengthy descriptions of actions taken by Pakal, and the dates are tied into the Long Count calendar by use of a Distance Number to the nearest Period Ending, which was 9.9.13.0.0 (3 Ahau 3 Uayab) or 626 AD. These later passages of the West Tablet were commissioned by their oldest son, K’inich Kan Bahlam II, after his father’s death. He recorded the marriage and deaths of his mother and father.
Tz’aakb’u Ahau is depicted in carvings on two tablets from Palenque. The Palace Tablet has carved relief figures showing her third son, K’inich Kan Joy Chitam II, seated on a double-headed serpent bar, receiving the headdress of royalty from his father Pakal, as his mother (Tz’aakb’u Ahau) offers him the god-figurine symbol of divine ancestry. This large tablet filled with rows of hieroglyphs originally adorned the rear wall of the Palace’s northern gallery, Houses A-D. The Dumbarton Oaks tablet shows a young K’inich Kan Joy Chitam II dancing in the guise of the rain god, flanked by his mother and father. This is the only surviving part of a larger composition that probably was surrounded by glyphs. The stone tablet was illicitly removed from an unknown temple in the mid-20th century; it now resides in Washington, DC.
Such fragments of evidence give a little knowledge of The Mayan Red Queen’s life: she came from a nearby city, married Pakal in 626 AD, bore him four sons, participated in accessions rituals symbolically after her death, and died in 672 AD, eleven years before Pakal’s death in 683 AD. She was buried regally in a smaller temple adjacent to Pakal’s.
Would you like to know more about what her life might have been? Her imagined story is told in my historical fiction book The Mayan Red Queen: Tz’aakb’u Ahau of Palenque.
Silver Medal Winner 2016 Global Ebook Award!