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Virtual Author Book Tour – Your Time, My Space

Join me in cyberspace for a book tour!

February 5 – 28, 2019.  Come whenever you have time, you don’t need to dress up.

Visit each blog stop, even those already scheduled, read interviews, guest blogs, reviews, and excerpts.

Comment to enter book giveaway.

Doing book tours the easy way.

With the launch of the fourth and final book of my series about ancient Mayan Queens, I decided to take the easier route. For each of the previous three books, I scheduled brick-and-mortar bookstore tours. Doing these took a huge amount of time, energy, coordination, and publicity. Physical tours are also quite expensive, with travel costs and presentation materials. For the most part, my bookstore tours were decidedly not cost-effective. Of course, I really enjoyed my interactions with bookstore event coordinators and staff, and the usually small number of interested readers who attended. Traveling to Seattle allowed me to visit family and friends, and my Oregon stops were equally congenial. This time around, however, I just wanted less hassle. Virtual book tours were the answer!  Now I can stay at home, doing my book event via my computer, and even while enjoying a glass of wine.

Organizing a virtual book tour is no small task. I did seek out a few book bloggers for the earlier books, but didn’t have the bandwidth to create a real tour. So, I decided to use Virtual Book Tour (VBT) organizers for my new book. Having a professional VBT organizer certainly makes everything flow better. It’s a real pleasure to work with Teddy Rose of Premier Virtual Author Book Tours.

What you can expect when you join in my VBT.

Ten different book bloggers are hosting during this tour. They were selected because they have interests in my book’s genres, which span historical fiction, historical romance, fantasy, and paranormal novels. When bloggers and books are matched, the results are optimal. The bloggers are scheduled during a set time period, and can elect to send the author interview questions, request a guest blog post on a subject they choose, post an excerpt from the book, or write a book review. Some bloggers do more than one of these. The author receives everything in advance and sends responses to the tour organizer by a set date. Then the tour host forwards it to the blogger, who posts it on the set date.

Tour organizers advise authors to offer a book giveaway or gift certificate to readers who visit the blogs and write a comment. It’s an enticement for participation and increases visibility on the web. In my present VBT, I’m using a book giveaway, either ebook or paperback. You can enter at each blog stop for a chance to win.

Virtual book tours are a great tool for authors to get their books read, reviewed, and noticed. They help create buzz around a book release.

Schedule of VBT for The Prophetic Mayan Queen: K’inuuw Mat of Palenque.

Visit each blog stop, enjoy reviews, interviews, guest posts, and excerpts. You can make comments at any time, even after the scheduled dates, and enter for a chance to win the book giveaway.

Feb. 11    Infinite House of Books    https://shannon-muir.com/
Feb. 12    Indie Review Behind the Scenes    https://www.youtube.com/watch?v=k_C6Z-GkNlU&feature=youtu.be
Feb. 15    StoreyBook Reviews     https://storeybookreviews.com/
Feb. 17    International Book Promotion     https://internationalbookpromotion.com/category/book-reviews/
Feb. 20    Rockin’ Book Reviews    https://www.rockinbookreviews.com/adult
Feb. 21    Celticlady’s Reviews    https://celticladysreviews.blogspot.com/
Feb. 28    (Susan) review on Amazon        https://www.amazon.com/gp/product/1641463651/ref
                Link to Prophetic Mayan Queen

Blog Tour – The Prophetic Mayan Queen

Join the Blog Tour for The Prophetic Mayan Queen: K’inuuw Mat of Palenque

Mists of Palenque Series Book 4.

Blog Tour Dates January 7 – 11, 2019.

Drawing of K'inuuw Mat Name Glyph

K’inuuw Mat Name Glyph

Journey back 1300 years to the splendor and intrigue of Mayan civilization, the most advanced in the Western World. K’inuuw Mat, a royal girl who wants to dedicate her life to serving Mother Goddess Ix Chel, instead finds her destiny is marriage into the Palenque royal family, overlords of her region. With her skills in scrying and prophecy, she seeks a vision of her future husband. But, upon arriving at his city, she realizes the face she saw is his older brother, Kan Bahlam. They are immediately attracted, though she resists and follows through with marriage to the younger brother. As family conflicts, regional politics, and high court dramas play out, K’inuuw Mat shares astronomical interests with Kan Bahlam while keeping her distance. He schemes to fulfill his passion for her, assisted by fateful events that bring them together in most unexpected ways. The Goddess gives K’inuuw Mat a mandate to preserve Mayan culture for future generations, as their civilization begins the decline her prophecy foresees. She rises to meet the challenge, aided by mystical connections with ancestor women rulers who give guidance through visions. Her children help carry out the mandate through surprising links with Kan Bahlam.

K’inuuw Mat was a real Mayan women who lived during the late 7th and early 8th Centuries CE. Her portrait appears on a panel in Palenque (Tablet of the Slaves),

Drawing of Tablet of the Slaves

K’inuuw Mat on right, her husband Tiwol Chan Mat on left, offering rulership symbols to their son.
Tablet of the Slaves

seated on the right, where she offers a symbol of royal status to her son. Her husband, Tiwol Chan Mat, is seated on the left. Not much is recorded about her life, but there is a lot of information about the men surrounding her–the ruling family of Palenque and their magnificent architectural and artistic creations. Many characters are from this family, their courtiers and warriors. Fictional characters help fill out the complex relationships and intrigues.

To the Mayas, spirituality merged with everyday life. They moved between dimensions to meet with star ancestors, sky Gods, Underworld demons, shamans, tricksters, and deities who influenced every aspect of life. Rulers and priests were trained as shamans, did vision quests, and used hallucinogens to alter consciousness. They interacted with deities, cast spells, and had visionary powers. During trance rituals where they offered their own blood, the most precious substance to the Gods, they saw incense smoke turn into the Vision Serpent. From its huge jaws they saw an ancestor or God’s head emerge, giving predictions or answering questions.

I hope you’ll want to read this book, and plunge into the Maya’s exotic, advanced, and astonishing culture full of passion, pageantry, and mysticism.


Pre-order now!  Ebook available Jan. 13, print book Jan. 22, 2019

The Prophetic Mayan Queen: K’inuuw Mat of Palenque.  Mists of Palenque Series, Book 4.

Each book in the series stands alone and tells the story of a real ancient Mayan Queen.

Mists of Palenque Series

BLOG TOUR SCHEDULE   January 7 – 11, 2019

Learn some little-known trivia about the Mayas, and find out some things you never knew about me.  On the blog tour I’m answering a variety of interview questions, and writing some guest blog posts. The interviews were lots of fun, asking such questions as “What made you want to be an author,” “What is your favorite part of this book.” ‘Which character would you go drinking with,” “What should readers expect from this book,” “Tell about the cover and the inspiration for it,” “What part of the book’s world would you want to visit for a day,” “If a dwarf challenged you to a duel what would you do,” and details about my writing habits and quirks. My answer to the last question might surprise you, and it gives insight into the Maya world.

Visit each blog on the date listed below.  Be sure to enter Rafflecopter for a chance to win an Amazon or Barnes&Noble gift certificate!

Tour by Goddess Fish Promotions.

January 7: Mythical Books – review only
January 7: Lisa Haselton’s Reviews and Interviews
January 7: Candrel’s Crafts, Cooks, and Characters
January 8: Bookaholic
January 8: T’s stuff
January 9: Fabulous and Brunette
January 9: Edgar’s Books
January 10: Paranormal and Romantic Suspense Reviews
January 10: Kit ‘N Kabookle
January 11: All the Ups and Downs
January 11: Let me tell you a story – review

The Devil is in the Detail


Mayan Shaman or Brujo

“The Devil is in the Detail” implies that although something might look simple at first, there is a catch hidden in the details.

Often an idea seems wonderful, but turns out impossible to implement. We may be able to agree on generalities, but come to blows on specifics. A project may appear straightforward and easy, but takes more time and effort to carry out than we expected. “The Devil”—our difficulties and challenges—hides in the details.

This is the contemporary understanding of the idiom. But, it was not always interpreted this way. Use of the phrase goes back at least to the early 1800s when French writer Gustave Flaubert (1821-1880) said “Le bon Dieu est dans le détail.” By saying “The good God is in the detail” Flaubert was emphasizing that details were sacred and significant.

Photo of Gustave Flaubert, French Novelist

Gustave Flaubert (1821-1880) French Novelist, Wikipedia

Whatever one was doing, it should be done thoroughly and with full attention. Details are important.

The actual source of the idiom is unknown. It’s generally accepted that German-born architect Ludwig Mies van der Rohe (1886-1969) used it, but almost certainly did not invent the phrase. It was a favorite of German art historian Aby Warburg (1866-1929) although his biographer could not be certain it originated with him. Some have attributed it to Michelangelo (1475-1564). Bartlett’s Familiar Quotations lists it as an anonymous saying.

Whether “The Devil” or “The Good God” is in the detail, we are led to conclude that details are very important, even possibly sacred. Writers of historical fiction know this all too well. Get the details or facts wrong, and you’ll never stop hearing about it from readers and critics. Put in too many details, in hopes of giving readers a rich and full experience of a culture and time period, and you’re criticized for unnecessary information that slows down the plot. Put in too few details, and readers complain they cannot get a good sense of the setting, culture, character, time period, geography, and so forth. The historical fiction author has then failed in the all-important task of “world-building.”

Books about well-known societies and cultures have fewer challenges in world-building. Most readers already know the Regency or Victorian era, the Tudor or Plantagenet dynasty, Renaissance Italy, medieval times, and popular ancient cultures such as Rome, Greece, or Egypt. Historical fiction authors writing about less known cultures have more need for thorough world-building. In particular, I have in mind ancient Mesoamerican civilizations. Even indigenous groups in North America lived in worlds generally less understood by most readers. In these cases, putting in sufficient details is important.


My HF novels are set in ancient Mayan civilization. There is a dearth of literature focused on this culture; even the Aztecs and Incas get more press. Because of this, my books include details of everyday life, technology, arts, and cosmology to provide a fuller picture of this advanced culture. I weave this information into the story with several writers’ caveats in mind: whenever possible “show rather than tell,” make expositional dialogue seem natural, make the details serve the plot or character development. Most importantly, keep it interesting.

Ah, there’s the rub. How much is enough and not too much? Reviewers have called my books “well-detailed,” “no light read,” full of detailed descriptions,” “complex world-building.” They also say the books “provide a realistic feel,” give “depth and meaning to overall events,” and make “the Mayan world and its underlying influences come alive.” But one review from a pricey and well-respected source felt there were just too many details. While the information was captivating, there was far too much for an enjoyable novel. Besides, they complained that readers really didn’t need to know about the “trapezoidal linear truss using high strength timber crossbeams” that made Lakam Ha’s architecture innovative.

Who would want to know? Anyone interested in ancient Mayan civilization.

One often pondered question is how the Mayas built their soaring pyramids of huge stones in a jungle environment without metal tools. Ancient Lakam Ha (Palenque) is widely known as the most graceful and architecturally unique Mayan city. A good deal of literature examines how they built and what innovative technologies allowed Lakam Ha to create its harmonious structures. Mayas traditionally used a corbel arch technique to form ceilings of chambers and passageways. Not a true arch, this technique lacked support strength. At Lakam Ha, ceilings were higher and rooms wider than at other Mayan cities. The trapezoidal linear truss was the technology that made this possible.

Photo of Maya trapezoidal truss

Maya Trapezoidal Linear Truss

In any case, this is mentioned only once in a short passage of three paragraphs. The description is set in dialogue between ruler Pakal and his chief architect. To my thinking, it is such tidbits of detail that give readers a good sense of this remarkable culture’s immense creativity.

But perhaps I get carried away . . . in my most recent book about Mayan queens, publishing in October 2018, one major character is a brilliant astronomer and numerologist. Kan Bahlam II, who becomes ruler of Lakam Ha when Pakal dies, invented the 819-day calendar and a secret code language based on astronumerology called “Zuyua.” He conceived and had built The Cross Group, a three pyramid complex considered the ultimate statement of Palenque creation mythology. Panels in these pyramids are carved with hieroglyphs and figures that embed the secret codes and calendar, and weave them with Kan Bahlam’s personal history. It is pure creative genius.

Photo of stone carving of Kan Bahlam II, Temple XVII Tablet

Kan Bahlam II – Temple XVII Tablet

Therefore, I wanted to share this knowledge with readers. After sending the manuscript to my beta readers, however, their feedback made me realize that although captivating, this really was too much information. Several pages of explanations and examples of astronumerology were cut from the book. After all, it had taken me several years of study to understand it and I couldn’t expect readers to grasp it on first exposure.

Because the Devil is in the Detail.      

Photo of decorated skull

Dia de los Muertos Skull

BUY:  The Mayan Queens Series

The Prophetic Mayan Queen: K’inuuw Mat of Palenque

Book Cover The Prophetic Mayan Queen

2019 (paperback and ebook) on Amazon or ask your local bookstore.

Silver Medal for The Red Queen

DD_Red Queen GeBA SilverSilver Medal GEbA

Silver Medal Winner of the 2016 Global Ebook Awards

The Mayan Red Queen: Tz’aakb’u Ahau of Palenque receives award in Fiction-Historical Literature-Ancient Worlds.

It was an exciting moment when I received the notice in August that my book won a Silver Medal in the Dan Poynter Global Ebook Awards for 2016!

Book awards mean a lot to authors. They validate our efforts and help bring our books to the LM_red hat-2attention of readers and booksellers. The Mayan Red Queen has been given favorable reviews in The Midwest Book Review (2016) and by Writer’s Digest (2016), but this is her first award. So, I am very happy and invite you to share the moment by recalling the story if you’ve read it, or reading the book if not.

“The Mayan world and its underlying influences come alive, making for a thriller highly recommended for readers who also enjoy stories of archaeological wonders.” The Midwest Book Review, Diane Donovan, Editor and Senior Reviewer.

“The quality of this novel is top notch . . . beautifully written. The plot was interesting and very unique. The author’s best skill is in crafting believable yet mythical characters that carry the story almost effortlessly. . . fans of complex world building will be absorbed by this one–with pleasure!” Writer’s Digest 3rd Annual Self-Published e-Book Awards 


Who Was the Mayan Red Queen? Part 2 – The Evidence of Her Life

Red Queen face closeupThe Mayan Red Queen

continued to be an enigma to archaeologists for nearly two decades after her tomb was discovered in Temple XIII at Palenque in 1994. Her skeleton and inside of her sarcophagus were coated with red cinnabar, a mercuric oxide preservative used in royal burials. This led archaeologists to nickname her “The Red Queen.” It also made analysis of her bones and teeth difficult, and many years passed until scientific techniques advanced enough to provide reliable data. The lack of inscriptions and the sparse ceramic evidence found inside her tomb further muddied the waters. Most Mayan royal tombs contained carved or painted hieroglyphs identifying who was interred. The adjacent pyramid tomb of K’inich Janaab Pakal in Palenque was full of hieroglyphic records; his ancestors were carved on the sides of his sarcophagus, important gods and mythohistoric figures were painted on the crypt walls, and the sarcophagus lid clearly identified him. Numerous ceramic offerings allowed dating of the interment to the late 600s AD.

The situation of the Mayan Red Queen was quite different. Her sarcophagus contained no inscriptions, the crypt walls were bare, and ceramics few. The shape and characteristics of the censer, vases and plate found in her tomb corresponded to the Otolum ceramic complex, which has been placed between 600-700 AD. Her life overlapped with that of Pakal, and her pyramid tomb adjoined his, so it seemed evident that there was an important connection between them. Additional corollaries in their burials include a monolithic lidded sarcophagus inside a mortuary crypt, jade masks, diadems, jade beads, pearls and three small axes in a ceremonial belt. Both skeletons and insides of their sarcophagi were painted red with cinnabar. Two significant women in Pakal’s life died in that time period: his mother Sak K’uk and his wife, Tz’aakb’u Ahau. Some archaeologists believed the Red Queen was his mother; others favored his wife. In 2012 the mystery was most probably solved when DNA studies revealed that The Red Queen and Pakal did not share common DNA. This was further supported by strontium isotopes studies conducted a few years earlier showing that the two grew up in different areas within the region. Now most agree that Pakal’s wife, Tz’aakb’u Ahau, was interred in Temple XIII and she is The Mayan Red Queen.

What do we know of her life?

West Tablet from Temple of the Inscriptions Linda Schele - Mesoweb

West Tablet from Temple of the Inscriptions
Linda Schele – Mesoweb

Unfortunately, very little evidence has been found so far. Palenque is famous for its high quality, graceful hieroglyphs and realistic carved figures. The Three Tablets of the Temple of the Inscriptions (Pakal’s burial pyramid) contain 617 glyphs, one of the longest Maya inscriptions known. The West Tablet, covering the later years of Pakal’s reign, contains two references to her:

“Seventeen days after the 3 Ahau 3 Uayeb (Period Ending), Lady Tz’aakb’u Ahau was married on 7 Caban 15 Pop.”

“Forty-seven years after she became queen, Lady Tz’aakb’u Ahau passed away on 5 Etznab 6 Kankin.”

These follow lengthy descriptions of actions taken by Pakal, and the dates are tied into the Long Count calendar by use of a Distance Number to the nearest Period Ending, which was (3 Ahau 3 Uayab) or 626 AD. These later passages of the West Tablet were commissioned by their oldest son, K’inich Kan Bahlam II, after his father’s death. He recorded the marriage and deaths of his mother and father.

Tz’aakb’u Ahau is depicted in carvings on two tablets from Palenque. The Palace Tablet has carved relief figures showing her third son, K’inich Kan Joy Chitam II, seated on a double-headed serpent bar, receiving the headdress of royalty from his father Pakal, as his mother (Tz’aakb’u Ahau) offers him the god-figurine symbol of divine ancestry. This large tablet filled with rows of hieroglyphs originally adorned the rear wall of the Palace’s northern gallery, Houses A-D. The Dumbarton Oaks tablet shows a young K’inich Kan Joy Chitam II dancing in the guise of the rain god, flanked by his mother and father. This is the only surviving part of a larger composition that probably was surrounded by glyphs. The stone tablet was illicitly removed from an unknown temple in the mid-20th century; it now resides in Washington, DC.

The Palace Tablet Pakal - Kan Joy Chitam - Tz'aakb'u Ahau

The Palace Tablet
Pakal – Kan Joy Chitam – Tz’aakb’u Ahau

Dumbarton Oaks Tablet Tz'aakb'u Ahau - Kan Joy Chitam - Pakal

Dumbarton Oaks Tablet
Tz’aakb’u Ahau – Kan Joy Chitam – Pakal

Such fragments of evidence give a little knowledge of The Mayan Red Queen’s life: she came from a nearby city, married Pakal in 626 AD, bore him four sons, participated in accessions rituals symbolically after her death, and died in 672 AD, eleven years before Pakal’s death in 683 AD. She was buried regally in a smaller temple adjacent to Pakal’s.

Would you like to know more about what her life might have been? Her imagined story is told in my historical fiction book The Mayan Red Queen: Tz’aakb’u Ahau of Palenque.


Silver Medal Winner 2016 Global Ebook Award!

El Mirador Adventure

La Danta complex at El Mirador

La Danta complex at El Mirador

Most Maya enthusiasts harbor the desire to visit El Mirador, a Pre-Classic site in northern Guatemala. Few ever do it, however, because getting there is arduous. El Mirador is located in the heart of a large swath of undisturbed low-lying jungle called the Mirador Basin in the Mirador-Río Azul National Park. This large tract of sub-tropical jungle is full of bajos or low wetlands with surrounding marshes, and no roads give access to its interior. The nearest town, Carmelita, sits at the end of a long dirt road. It takes three days of travel on narrow paths by foot or mule to reach the site, braving rains, mud, mosquitoes, snakes and jaguars. Most visitors come by helicopter, a thirty-minute flight from the town of Flores on Lake Petén Itza. This remote region is within the Maya Biosphere Reserve, 8100 square miles of protected rain forests designated by the Guatemalan government and supported by many groups to prevent deforestation, destruction and looting of ancient Maya sites.

Prudently, our group of ten intrepid Maya enthusiasts opted for helicopters over mule train. Led by Dr. Edwin Barnhart of the Maya Exploration Center, we flew over the rolling canopy of trees including

Helicopters landing in small clearing

Helicopters landing in small clearing

ramón (breadnut), ceiba, mahogany, copal and sapodilla, some growing to 150 feet. Once beyond the reserve edge, cleared fields used for crops and cattle gave way to an unbroken sea of dense foliage, punctuated by what seemed to be hills, but were the tree-covered peaks of ancient pyramids. When we reached the tallest pyramids, whose stone tops protruded beyond the canopy, the helicopters circled for landings at the sites we were visiting: Nakbe, El Mirador and El Tintal. With military precision, the pilots hovered over small clearings nearly undetectable until you were right over them, and settled the helicopters down.

For most of us, this was the trip of a lifetime. All students of the ancient Mayas, we knew El Mirador was among the oldest Maya cities, possibly the largest, often called the “Cradle of Maya Civilization.” Although abandoned over 2000 years ago, there are tantalizing hints that the people of El Mirador may have migrated to the Caribbean coast then back inland to settle at Kalakmul, a powerful rival to Tikal in the sixth and seventh centuries. Mirador was known as the “Kan Kingdom” in the Pre-Classic, and the rulers of Kalakmul said they were Lords of Kan.

The Mirador Basin was home to numerous Pre-Classic Maya cities that might have supported a population close to a million people.(1) The oldest city, Nakbe, was likely occupied before 800 BCE, with clear evidence of occupation by 600 BCE. El Mirador, the largest city, flourished between 300 BCE and

Map of El Mirador

Map of El Mirador

150 CE with a peak population over 100,000. Its central area covers 10 square miles with several thousand structures, and its pyramids reach 180-230 feet high and include “La Danta,” among the largest pyramids in the world with its total volume of 99 million cubic feet. The second largest city, El Tintal, was occupied during this same time period. Its central area covers 3.5 square miles with nearly 1000 structures and several pyramids, the tallest 160 feet.

These three cities were linked by raised roadways called “sacbeob” built of stone and plaster, creating a network of white causeways through the jungle. Within each city, sacbeob led from one complex to another, providing a level walkway rising 18-20 feet above ground level and some 60-150 feet wide. The remnants of these causeways still provide level walking surfaces, now traversed by tree roots but cleared of brush by site workers.

The primary archeological work in Mirador Basin is conducted by Dr. Richard Hansen of Idaho State University. Beginning in 2003, his team initiated investigation, stabilization and conservation programs with a multi-disciplinary approach involving 52 universities and research institutes. The ruined city had been recorded and photographed in 1926-1930, but its remote and inaccessible location deterred much investigation, with Ian Graham making the first map in 1962 and Ray Matheny excavating the site center in the 1980s. The archeologists were surprised to find construction that was not contemporary with the

Pottery found at El Mirador

Pottery found at El Mirador

large Classic cities in the area, such as Tikal and Uaxactun, but from earlier centuries. Pottery fragments collected by Joyce Marcus in 1970 and others found by Richard Hansen in 1979 were identified as Chicanel style, a monochrome red, black or cream with turned-out rims and a waxy feel. This pottery had been dated to Late Pre-Classic (300 BCE – 150 CE).

Finding complex cities with immense platforms, tall pyramids and royal compounds that were dated to Pre-Classic times caused a shift in thinking about Maya civilization. The Mayas had a high culture and sophisticated social structure far earlier than was previously believed. Speculation about the source of Maya kingship systems that produced such monumental architecture include diffusion from Zoque-Olmec centers such as La Venta and Chiapa de Corzo, as well as cultural interaction with other Maya centers to the west. Multiple opportunities for cultural borrowing and lending raise the question of who borrowed what from whom.(2)

Walking on sacbe at El Mirador with archeologist Ed Barnhart (red shirt)

Walking on sacbe at El Mirador with archeologist Ed Barnhart (red shirt)

Sunset from top of El Tigre pyramid

Sunset from top of El Tigre pyramid

As our group walked the wide tree-shrouded paths, we saw tall mounds of tumbling rocks rising through the foliage, and were amazed at the size and number of structures. Several complexes in El Mirador were partially cleared and restored, giving provocative views into this ancient culture that left no writing yet discovered. A central complex held several tall pyramids including El Tigre and its two flanking pyramids forming a triad group, with the Monos and Leon pyramids farther away. We climbed rickety stairs to the stony top of El Tigre and watched a spectacular tropical sunset. A five-mile round trip trek from our camp brought us to La Danta, gradually ascending over several levels of plazas covering nearly 45 acres. The platform supporting La Danta is 980 feet wide and 2000 feet long. Although the actual pyramid summit did not seem dauntingly tall once we arrived at its final platform, we kept remembering all the previous levels we had ascended.  La Danta stands 230 feet, taller than Temple IV at Tikal. Though not as tall as the Great Pyramid of Khufu in Egypt, it is larger in volume at 99 million cubic feet.

Climbing switchback wooden stairs with handrails, we ascended to the top of La Danta and gazed across miles of jungle stretching 360 degrees to all horizons. A light wind cooled our over-heated bodies as we rested thankfully on large square stones. Two geodesic markers gave coordinates for the summit. In the distance the mounds of Nakbe and La Tintal were visible as forested hills. It was heady to be standing atop the reputed largest pyramid in the world. A sense of the expanse and inter-connectedness of the ancient Maya world created feelings of awe.

Stairs to La Danta platform

Stairs to La Danta platform

La Danta summit view across jungle

La Danta summit view across jungle

Standing on La Danta summit

Standing on La Danta summit

The most important artwork found at El Mirador is the Central Acropolis frieze. In 2009 a student named J. Craig Argyle uncovered two 26-foot carved stucco panels that had been covered over by another structure. Their burial inside this structure, filled with dirt and crumbled stone, preserved this beautiful creation that depicts two young men in the “swimming god” posture. Above them are two bird figures, one a cormorant and the other a human-faced macaw. Richard Hansen believes the frieze relates Popol Vuh mythology, showing the Hero Twins, one wearing the jaguar headdress containing the head of his father. The Twins descended into Xibalba, the Underworld, to defeat the Death Lords and resurrect their father (Hun Hunahpu, First Father of the Mayas). The cormorant signifies rulership lineages and links to Great Mother Goddess Muwaan Mat (Duck-Hawk/Cormorant). The human-faced macaw represents the False Pole Star Wuqub Kaquix, an arrogant macaw who tried to become a god. The Hero Twins shot him from a tree with their blow-gun, unseating his lordship.(3)

Central Acropolis Frieze Composite View

Central Acropolis Frieze
Composite View

Finding this depiction of the Popol Vuh myth in a Pre-Classic site proves that the story has great antiquity and predates contact with Spanish Christianity by thousands of years. Contact-era renditions of the Popol Vuh were thought to be influenced by Christian imagery. Ed Barnhart questions whether the frieze actually depicts the Popol Vuh, because key elements that signify the Hero Twins, such as jaguar spots and catfish barbels, are missing. However, we know the Popol Vuh was well-established early in Maya mythology from murals discovered in San Bartolo, Guatemala, dated to 100 CE that also portray scenes from this story.(4)

Tent camp rigors

To see these fantastic carvings and other artifacts, to climb the pyramids that soared above the jungle canopy, to walk the pathways trod by ancient Mayan feet in times long past, required commitment and dedication. Conditions in our tent camp in El Mirador were primitive, without electricity or running water, and without showers. Our guide Ed Barnhart arranged for everything we needed to be brought by

Ocellated turkey

Ocellated turkey

mule train, a 5-hour trek along a jungle path from Carmelita. The mules packed in all our drinking and cooking water, food, drinks, tents, bedding and implements. A staff of two cooks, two local guides, and four carriers attended us. Our meals were surprisingly good, cooked over fires in primitive conditions. The Mayan woman cook made delicious traditional tortillas and provided meals of rice, chicken, vegetables, black beans, eggs, pancakes, fruit and cereal. We drank from water bottles, using iodine to purify the larger water tanks when we ran out of bottles. Refreshing limeade accompanied meals; at

Camp hand washing station

Camp hand washing station

times we resorted to luke-warm gatorade when the ice melted. A hand washing station with suspended dishrag and soap dispenser served well; we had several tarp-enclosed outhouses and a tarp-covered picnic table. In our tent area, three hammocks suspended from trees offered afternoon respite.

Hammocks and tent camp

Hammocks and tent camp

Unseasonal rains occurred before we arrived, so the first day was fresh and less hot. Hot is the operative word; the next several days were roasting and muggy. Everyone got very sweaty, especially as we wore long sleeve shirts and long pants with closed shoes to prevent bites. There were far fewer bugs than expected; our guides said “three mosquitoes per person” but an abundance of spiders, gnats, moths, ants, and crickets. Very large, black cicadas serenaded us dusk and dawn, making an ear-splitting high whine. A flock of ocellated turkeys hung around camp, their iridescent feathers shining. The male’s deep popping noises started at 4:00 am, along with the roars of howler monkeys that are often mistaken for jaguars, which actually make grunting noises. Though some folks were concerned about the deadly fer-de-lance snake (called yellow jaw) our guides said rattlesnakes are much more common. The only snake we saw was a small dead one, possibly a fer-de-lance.

Sleeping in tents on air or foam mattresses was far from comfortable, especially the last two nights that were oppressively hot. A generator provided light until 9:00 pm at the kitchen and meal area, and around our tent camp hammocks. Trips to the outhouse required using flashlights and keeping an eye out for snakes and bugs. We were up at dawn, thanks to the turkey and howlers, and eager for our first

About to climb Nakbe pyramid

About to climb Nakbe pyramid

cup of coffee – surprisingly good instant called “Inka-mundo.” Taking advantage of the morning for our first excursion, we hit the sacbeob early and were out around 2-3 hours, using lots of energy walking and climbing. We’d return for lunch and a siesta, then make another trip to the site late afternoon. At Nakbe and El Tintal, we spent about 2 hours while the helicopters waited. Upon returning to Flores, the first thing everyone did was take a long shower, do some email or texting, then get a cold margarita or beer!

Back in Flores enjoying margaritas

Back in Flores enjoying margaritas

Our group of adventurous souls was uncomplaining about creature discomforts and deeply appreciative of this great opportunity to visit a remote Maya site of vast significance. The impressive size and number of cities with their monumental and residential structures, located in a nutrient-rich swampy region, led our imaginations to picture the area at its height: people streaming along wide sacbeob, using sophisticated techniques to quarry huge limestone blocks without metal tools, move them to building sites without wheels and lift them to amazing heights, interacting in complex class societies with a cohesive ideology, performing splendid rituals, producing striking carved art and ceramics, collecting rainwater in cisterns, using body decoration such as inlaid jade in teeth and skull shaping, and using imported objects such as seashells, obsidian and basalt.

Between 100-200 CE, the cities of Mirador Basin were abandoned. The people apparently left quickly, leaving ceramics and working tools where they were used. Hansen believes the exodus was caused by destruction of the swamps that supported their agriculture. Massive deforestation in surrounding areas to provide wood for making lime plaster may be the underlying cause. In El Mirador they plastered everything from temples and plazas to sacbeob and house floors, making the plaster thicker over time. The reason, says Hansen, was “conspicuous consumption” by elites trying to sustain an image of wealth and progress. Clay drained from forests into the swamps and covered the rich soil. A portion of El Mirador was temporarily re-occupied in the Late Classic, around 700-900 CE, with small structures built among the ruins. Here the occupants, probably scribes

Maya Codex style ceramic

Maya Codex style ceramic

and artists from Kalakmul, produced unique “Codex-style” ceramics, fine polychrome ceramic consisting of black line drawings on a cream colored background.  This was beyond doubt the trip of a lifetime. It was not easy, but it was rich in learning and experiencing

Ed Barnahrt and Lennie Martin, La Danta summit

Ed Barnahrt and Lennie Martin, La Danta summit

the residuals of a once-great culture that flourished then declined, leaving many unanswered questions. For Maya enthusiasts, it stimulates further research into the mysteries of the Pre-Classic, seeking to understand how kingship structures and class societies came into being, the power and trade relationships among sites, the stories of the residents and their lives.


  1. Chip Brown. El Mirador, the Lost City of the Maya. Smithsonian Magazine, May 2011.
  2. John E. Clark and Richard D. Hansen. The Architecture of Early Kingship: Comparative Perspectives on the Origins of the Maya Royal Court. Royal Courts of the Ancient Maya, Vol. 2. Edited by Takeshi Inomata and Stephen D. Houston. Westview Press, Boulder, CO, 2001.
  3. Dennis Tedlock. Popol Vuh. Touchstone Book, Simon & Schuster, New York, 1996.
  4. William A. Saturno, David Stuart, Boris Beltrán. Early Maya Writing at San Bartolo, Guatemala. Sciencexpress Report, January 5, 2006.

Leonide (Lennie) Martin writes historical fiction about ancient Mayan civilization.  Visit website at Mists of Palenque.

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