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The Prophetic Mayan Queen is a Semi-Finalist in Contemporary & Literary Fiction
The SOMERSET Book Awards recognize emerging talent and outstanding works in the genre of Literary, Contemporary, and Satire Fiction. The Somerset Book Awards is a genre division of the Chanticleer International Book Awards (The CIBAs).
Chanticleer International Book Awards is looking for the best books featuring contemporary stories, literary themes, adventure, satire, humor, magic realism or women and family themes. These books have advanced to the next judging rounds. The best will advance. Which titles will be declared as winners of the prestigious Somerset Book Awards?
At the Authors Conference in Bellingham, WA, on April 18, 2020 the winners of all divisions of Chanticleer Book Reviews will be announced. It’s very exciting for my latest book to reach the semi-finalist stage! There are 16 semi-finalists in each division. I’ve long thought the names given for these divisions are humorous and entertaining, such as Chaucer Awards for Early HIstorical Fiction, Chatelaine Awards for Romance, Ozma Awards for Fantasy, Cygnus Awards for Science Fiction, Dante Rossetti Awards for Young Adult Fiction, Litle Peeps Award for Early Readers, and more.
Within a division such as Contemporary & Literary Fiction, authors need to choose among subcategories. After pondering this choice I selected two subcategories: Women’s Fiction and Magical Realism. The first is obvious, since the protagonist is a talented and strong girl who develops into a powerful, wise queen with a mandate to preserve her people’s heritage. The second was selected because the Mayan culture has deep themes of mysticism and inter-dimensional realities. Rulers, priestesses, shamans, and healers had frequent interactions with spirit beings such as goddesses and gods, elementals, and ancestors. To the Mayas, this was part of their normal world, so this kind of magic was very real to them.
The Prophetic Mayan Queen: K’inuuw Mat of Palenque has garnered other acknowledgement, such as a 5-star review by Seattle Book Reviews and several praiseworthy editorial reviews. Here’s hoping she wins the Somerset Award which comes with a great Prize Package with lots of publicity!
The Tucson Festival of Books is a community-wide celebration of literature. Offered free-of-charge, the festival exists to improve literacy rates among children and adults. Proceeds that remain after festival expenses have been paid are contributed to local literacy programs.
Started in 2009, this gathering of authors and publishers, marketers and sponsors, receives up to 135,000 visitors and features around 500 authors and presenters. Each year event typically includes special programming for children and teens, panels by best-selling and emerging authors, a literary circus, culturally diverse programs, a poetry venue, exhibitor booths and two food courts. Featured authors give talks in various buildings, while in the university mall there are booths for indie authors to meet fans and sell books in 2-hour time periods over the weekend. This year’s festival is March 14-15. You can see the schedule at: http://tucsonfestivalofbooks.org/
Friends have mentioned this book festival, but this is the first year that I’ll be participating. Just needing some warmth and sunshine after one of the most wet, cold, and grey winters in recent Oregonian memory. My books will be featured at the Indie Author Pavilion – Adult Fiction on Sunday, March 15, 2020 from 10 am-12 noon. If you’re in the area, stop by! I’ll be offering discounted book packages on the Mayan Queen series.
My last trip to Palenque was in 2012. Went to celebrate the 12-21-12 Winter Solstice when the Mayan Calendar ended a great cycle (Mayan Sun or Era) moving from the Fourth to the Fifth Sun. At least, that’s what many said . . . note that the world didn’t end as some predicted. The Mayas of course never said that–to them it was simply one great cycle ending and another beginning.
Join me in cyberspace for a book tour!
February 5 – 28, 2019. Come whenever you have time, you don’t need to dress up.
Visit each blog stop, even those already scheduled, read interviews, guest blogs, reviews, and excerpts.
Comment to enter book giveaway.
Doing book tours the easy way.
With the launch of the fourth and final book of my series about ancient Mayan Queens, I decided to take the easier route. For each of the previous three books, I scheduled brick-and-mortar bookstore tours. Doing these took a huge amount of time, energy, coordination, and publicity. Physical tours are also quite expensive, with travel costs and presentation materials. For the most part, my bookstore tours were decidedly not cost-effective. Of course, I really enjoyed my interactions with bookstore event coordinators and staff, and the usually small number of interested readers who attended. Traveling to Seattle allowed me to visit family and friends, and my Oregon stops were equally congenial. This time around, however, I just wanted less hassle. Virtual book tours were the answer! Now I can stay at home, doing my book event via my computer, and even while enjoying a glass of wine.
Organizing a virtual book tour is no small task. I did seek out a few book bloggers for the earlier books, but didn’t have the bandwidth to create a real tour. So, I decided to use Virtual Book Tour (VBT) organizers for my new book. Having a professional VBT organizer certainly makes everything flow better. It’s a real pleasure to work with Teddy Rose of Premier Virtual Author Book Tours.
What you can expect when you join in my VBT.
Ten different book bloggers are hosting during this tour. They were selected because they have interests in my book’s genres, which span historical fiction, historical romance, fantasy, and paranormal novels. When bloggers and books are matched, the results are optimal. The bloggers are scheduled during a set time period, and can elect to send the author interview questions, request a guest blog post on a subject they choose, post an excerpt from the book, or write a book review. Some bloggers do more than one of these. The author receives everything in advance and sends responses to the tour organizer by a set date. Then the tour host forwards it to the blogger, who posts it on the set date.
Tour organizers advise authors to offer a book giveaway or gift certificate to readers who visit the blogs and write a comment. It’s an enticement for participation and increases visibility on the web. In my present VBT, I’m using a book giveaway, either ebook or paperback. You can enter at each blog stop for a chance to win.
Virtual book tours are a great tool for authors to get their books read, reviewed, and noticed. They help create buzz around a book release.
Schedule of VBT for The Prophetic Mayan Queen: K’inuuw Mat of Palenque.
Visit each blog stop, enjoy reviews, interviews, guest posts, and excerpts. You can make comments at any time, even after the scheduled dates, and enter for a chance to win the book giveaway.
Feb. 5 Bookgirl86’s Reviews https://www.goodreads.com/review/show/2696578333?book_show_action=true&from_review_page=1
“The Devil is in the Detail” implies that although something might look simple at first, there is a catch hidden in the details.
Often an idea seems wonderful, but turns out impossible to implement. We may be able to agree on generalities, but come to blows on specifics. A project may appear straightforward and easy, but takes more time and effort to carry out than we expected. “The Devil”—our difficulties and challenges—hides in the details.
This is the contemporary understanding of the idiom. But, it was not always interpreted this way. Use of the phrase goes back at least to the early 1800s when French writer Gustave Flaubert (1821-1880) said “Le bon Dieu est dans le détail.” By saying “The good God is in the detail” Flaubert was emphasizing that details were sacred and significant.
Whatever one was doing, it should be done thoroughly and with full attention. Details are important.
The actual source of the idiom is unknown. It’s generally accepted that German-born architect Ludwig Mies van der Rohe (1886-1969) used it, but almost certainly did not invent the phrase. It was a favorite of German art historian Aby Warburg (1866-1929) although his biographer could not be certain it originated with him. Some have attributed it to Michelangelo (1475-1564). Bartlett’s Familiar Quotations lists it as an anonymous saying.
Whether “The Devil” or “The Good God” is in the detail, we are led to conclude that details are very important, even possibly sacred. Writers of historical fiction know this all too well. Get the details or facts wrong, and you’ll never stop hearing about it from readers and critics. Put in too many details, in hopes of giving readers a rich and full experience of a culture and time period, and you’re criticized for unnecessary information that slows down the plot. Put in too few details, and readers complain they cannot get a good sense of the setting, culture, character, time period, geography, and so forth. The historical fiction author has then failed in the all-important task of “world-building.”
Books about well-known societies and cultures have fewer challenges in world-building. Most readers already know the Regency or Victorian era, the Tudor or Plantagenet dynasty, Renaissance Italy, medieval times, and popular ancient cultures such as Rome, Greece, or Egypt. Historical fiction authors writing about less known cultures have more need for thorough world-building. In particular, I have in mind ancient Mesoamerican civilizations. Even indigenous groups in North America lived in worlds generally less understood by most readers. In these cases, putting in sufficient details is important.
My HF novels are set in ancient Mayan civilization. There is a dearth of literature focused on this culture; even the Aztecs and Incas get more press. Because of this, my books include details of everyday life, technology, arts, and cosmology to provide a fuller picture of this advanced culture. I weave this information into the story with several writers’ caveats in mind: whenever possible “show rather than tell,” make expositional dialogue seem natural, make the details serve the plot or character development. Most importantly, keep it interesting.
Ah, there’s the rub. How much is enough and not too much? Reviewers have called my books “well-detailed,” “no light read,” full of detailed descriptions,” “complex world-building.” They also say the books “provide a realistic feel,” give “depth and meaning to overall events,” and make “the Mayan world and its underlying influences come alive.” But one review from a pricey and well-respected source felt there were just too many details. While the information was captivating, there was far too much for an enjoyable novel. Besides, they complained that readers really didn’t need to know about the “trapezoidal linear truss using high strength timber crossbeams” that made Lakam Ha’s architecture innovative.
Who would want to know? Anyone interested in ancient Mayan civilization.
One often pondered question is how the Mayas built their soaring pyramids of huge stones in a jungle environment without metal tools. Ancient Lakam Ha (Palenque) is widely known as the most graceful and architecturally unique Mayan city. A good deal of literature examines how they built and what innovative technologies allowed Lakam Ha to create its harmonious structures. Mayas traditionally used a corbel arch technique to form ceilings of chambers and passageways. Not a true arch, this technique lacked support strength. At Lakam Ha, ceilings were higher and rooms wider than at other Mayan cities. The trapezoidal linear truss was the technology that made this possible.
In any case, this is mentioned only once in a short passage of three paragraphs. The description is set in dialogue between ruler Pakal and his chief architect. To my thinking, it is such tidbits of detail that give readers a good sense of this remarkable culture’s immense creativity.
But perhaps I get carried away . . . in my most recent book about Mayan queens, publishing in October 2018, one major character is a brilliant astronomer and numerologist. Kan Bahlam II, who becomes ruler of Lakam Ha when Pakal dies, invented the 819-day calendar and a secret code language based on astronumerology called “Zuyua.” He conceived and had built The Cross Group, a three pyramid complex considered the ultimate statement of Palenque creation mythology. Panels in these pyramids are carved with hieroglyphs and figures that embed the secret codes and calendar, and weave them with Kan Bahlam’s personal history. It is pure creative genius.
Therefore, I wanted to share this knowledge with readers. After sending the manuscript to my beta readers, however, their feedback made me realize that although captivating, this really was too much information. Several pages of explanations and examples of astronumerology were cut from the book. After all, it had taken me several years of study to understand it and I couldn’t expect readers to grasp it on first exposure.
Because the Devil is in the Detail.